Wednesday, August 23, 2017

Reader's Diary #1640- Luke Lieberman (writer), Walter Geovani (artist): Red Sonja Wrath of the Gods 1 - 5

Wanting to know more about this Red Sonja character, I recently found the Wrath of the Gods arc from Dynamite comics.

So, very early on, I began once again to despair about my gender. Sometimes I really don't get males. Red Sonja is supposed to be a kick ass heroine, leading one to believe her male creators were supportive of female empowerment. But then she's completely and constantly objectified. Always shown in an impractically skimpy costume (even in the snow!), scene and scene drawn from behind her so we get ass shots; it's all quite infuriating. Plus, the threat of rape is made several times.

I suppose the character herself remained compelling enough, but I think if I revisit her I'll read Gail Simone's take, who I've been told, has given her a much needed feminist makeover.

And I did wind up learning about the character, which was my primary goal in the first place. In these comics she's fighting alongside Thor against Loki and Odin. I found this especially interesting as Red Sonja began in life in Marvel comics and it is their version of these other characters that are perhaps more currently familiar. On that note, it was fun to compare the Marvel and Dynamite versions, and to consider how different (or similar) this story would be had Red Sonja stayed at her original publisher.

Tuesday, August 22, 2017

Reader's Diary #1639- Carleigh Baker: Bad Endings

Admittedly, I was attracted to Carleigh Baker's Bad Endings by the beautiful water-coloured salmon courtesy of Katie Green. That said, I think bees wound up playing a more significant role in this collection of short stories than fish, but that's neither here nor there.

I thoroughly enjoyed these tales. As the title would suggest, they are sometimes bleak but more often, and surprisingly, not. While the characters in these stories were all experiencing endings of sorts, and there was always the stress associated with said endings, there was typically a sense that it was for the best and that it was but the end of a story, not of a book.

This perhaps suggests that the stories didn't feel complete in their own right, and I've heard this from non-short story fans, that short stories leave them wishing for a novel. However, I did not sense that with Bad Endings. Baker has an art with characterization and with observation and the end result are fully realized snippets of life. The characters learn. They grow.

I read these stories over a few lunch breaks and I would highly recommend short story collections for such a clumped period of time. They provide a thoughtful and satisfying diversion to help wake up the brain and stir the emotions.

Monday, August 21, 2017

Reader's Diary #1638- Gina Balibrera: Álvaro

At times Gina Balibrera's "Álvaro" reminded me of Wayne Johnston's Colony of Unrequited Dreams. A theme throughout the story is one of art, or an artist, adequately interpreting a place. For me, Johnston's book does just that for Newfoundland.

A secondary, and more subtle theme, is one of the artist vs. the art. On the surface it seems that the narrator is suggesting that for her, the music of composer known as Álvaro best encapsulates El Salvador, but the way she constantly fixates on the man, not the music, I wonder.

As an added bonus to this provocative story, it's told in the 2nd person.

Thursday, August 17, 2017

Reader's Diary #1637- John Bennett and Susan Rowley (editors): Uqalurait

Uqalurait: An Oral History of Nunavut, does an admirable job of collecting and communicating the history of Nunavut through the voices of elders, the keepers of a collective memory, detailing life either before contact with Europeans or day-to-day life where and when white Canadians were largely irrelevant.

Of course, transcribed oral stories and recollections cannot completely capture  hearing these voices in person. We miss the gestures and inflections, for instance, that can add so much. It is one-way, whereas sometimes (not always) when a person is speaking we would be able to ask questions for clarification, or even to help steer the direction.

Nonetheless, it felt pretty darn close to being there and I found myself missing hearing stories from my grandparents. Because they were in my thoughts, perhaps, I also found myself comparing and contrasting these memories with the lives lived by my ancestors (white Newfoundlanders). I also spent a lot of time considering how the Uqalurait memories would be interpreted and accepted by younger Inuit living in Nunavut today. They would have so much more context to work with than I.

I thoroughly enjoyed learning about the culture and though there were many collective generalities, I also appreciated when individual personalities shone through. It really stood out to me, as an important reminder, when some of the voices disagreed (for instance, about which traditions and practices they are sad to have lost). Elizabeth Nutaraaluk's modern feminist comment "We women were treated as aaliit [outcasts] even though we were ordinary people just like anyone else" was particularly awesome. Less poignant, but still endearing, was the way Adam Qavviaktoq always declared that he was done talking. "I'll stop here for now."

Monday, August 14, 2017

Reader's Diary #1636- Sevim Ak: Moving to a New House

Sevim Ak's "Moving to a New House" is, in a word, strange.

The plot, of a boy who resents getting the smallest room in their house and decides to hide away from his parents out of spite, is reasonable enough. However the telling of it and the resolution are very odd.

The dialogue is stilted and rings untrue (possibly a poor translation?) and the ending seems to have no rhyme or reason. The author typically writes stories for children and perhaps with the right illustrations this would appeal to a child's imagination. As for me, I just didn't get it.

Thursday, August 10, 2017

Reader's Diary #1635- Geoff Johns and Jeff Katz (writers), Dan Jurgens (artist): Booster Gold Vol. 1 52 Pick-Up

My first exposure to Booster Gold was with the Death of Superman comics and at the time I read it (just last year), I was not impressed. For a character as important as Superman, it felt odd that DC Comics wouldn't have sent in the other big guns as supporting characters; instead of Bat Man, The Flash, and Wonder Woman, we got Maxima, Bloodwynd, and Booster Gold.

To be fair to Booster Gold, I've since heard more about him and though he may not be the biggest name in DC Comics, he's got his share of fans. I was willing to give the guy another chance.

And though I'd not go as far as saying that the character has become a favourite, I didn't dislike him this time around. He's meant to be a bit of a laughing stock, but this time around Johns and Katz have infused him with more humility. He's been known (rather annoyingly, in my opinion) as being a bit of a fame whore, so it's kind of perfect that this time around, as a guardian of the "real" time line, Gold has to save the world behind the scenes. He's also made more likeable by his inability to get over the loss of his best friend (some argue, more than best friend): the Blue Beetle. Making him care deeply about someone other than himself was quite necessary.

Booster Gold is somewhere between a humorous character and an action character, but the writers, combined with Jurgens' expressive characters, find the balance admirably.

Tuesday, August 08, 2017

Reader's Diary #1634- Ryan North (artist), Erica Henderson (writer): The Unbeatable Squirrel Girl Beats Up the Marvel Universe

Any fan of Squirrel Girl can tell you, she may have the super powers of a squirrel but she's not to be messed with. She's beaten up the biggest of the baddies before (Thanos, Galactus, and Dr. Doom) so how does she top herself? By clearing the entire Marvel Universe. Sort of.

Actually, there's a bit of a cheat. It's not the original Squirrel Girl but rather her evil misguided clone. Nonetheless, she joins the ranks of the Punisher and Deadpool as the few who have taken on the rest of the Marvel heroes and survived (interestingly both of these guys also fall to her this time around).

It's a typical wonderful Squirrel Girl tale with Ryan North's irreverent brand of humour and Erica Henderson's balanced complimentary goofy art.

I'm still longing for Squirrel Girl to show up in something that feels like canon, but I'll take these fun stories in any case.