Pages

Thursday, February 19, 2009

Reader's Diary #455- Chester Brown: Louis Riel, A Comic Strip Biography

I'd already read a biography of Louis Riel and I came pretty close to skipping over this one in favour of any other Chester Brown graphic novel. However, it was this book that first drew my attention to Brown and in all honesty, I remembered little from the other biography. So, when I found this one at the local library I grabbed it.

Apparently Brown and Seth (It's A Good Life, If You Don't Weaken) are friends. I'm not sure then if one's art influenced the other or if they came together out of respect for one another's art because both are very similar: black and white drawings with bold, simple lines. However, there are some differences: Brown seems to use more detailed lines in the background shading, and his characters seem more stylized. At first I thought Brown was using caricature. John A. MacDonald's nose, for instance, is drawn like a half-filled balloon. However, Louis Riel, A Comic Biography isn't remotely funny. I question if satirical drawings would fit. Also some aberrations are too consistent across characters to be merely an exaggerated attribute of one individual. The most common of these include the boxy bodies and over-sized hands. Had such a feature been isolated in one person, I'd guess Brown was merely poking fun. However, everyone was drawn that way and I figure it's just Brown's style. It took more getting used to than Seth's art, but I still enjoyed it.

I also enjoyed Brown's story-telling. Though he admits to misrepresenting facts at times, he is careful to point out inaccuracies in notes at the end. Some of these are done for dramatic effect, but the essence is the same. For example, in the opening scene John A MacDonald is shown in London negotiating with the Hudson's Bay Company. In reality, he had sent along representatives to do the negotiating. Small points like these are just fine with me.

For me, the biggest strength of the book was in Brown's compelling depictions of three characters in particular: Riel, John A. MacDonald, and Gabriel Dumont. Riel, though shown as wise and honourable, sometimes made some bad decisions out of trust or confusion (likely delusions). John A. MacDonald is shown as a calculating liar. And I thought Dumont was perhaps the wisest of all, except for his one mistake: letting Riel talk him out of using guerrilla warfare. Brown's portrayal seems to show Dumont of being more the type of person that the Canadian government tried to make Riel out to be, eventually hanging Riel and giving Dumont amnesty.

It's a phenomenal historical graphic novel, and a biography of Riel that, this time, I won't forget.

4 comments:

Stephanie said...

Hmmmm....historical graphic novel?? Sounds interesting!!

Stop by my blog, Arctic man...my daughter drew your name for my giveaway of Dan Simmons' The Terror!! If you could email me with your home address, I'll pass it along to Hatchette books!

Congrats!!

Remi said...

Now you'll have to complete the triumvirate by reading something by Joe Matt. All three were friends in Toronto, though Matt now lives in L.A..

Matt's work is much raunchier - he dedicated his latest book to Robert Crumb - and quite funny.

Kailana said...

I read this. It was pretty good. It was totally an impulse buy when I got it, though!

John Mutford said...

Stephanie: Awesome, thanks!

Remi: Thanks for the recommendation. I'll look for it on my next library excursion. The need a nickname, like "The Group of 3" or something.

Kailana: It was the first graphic novel I remember catching my attention, but it's taken me this long to finally read it. Not an impulse on my part at all.