Beginning Jordan Abel's Injun,
I was immediately struck by his inventiveness with the English language. Fans
of poets like E.E. Cummings, Christian Bok, and bpNichol, will be especially
happy. If you think all modern poetry sounds the same (i.e., gloomy and
pretentious), take faith that some poets, like Jordan Abel, are not content to
let the English language stagnate. As texting and social media have taught us,
language is ever evolving 😐
Bonus points for those poets whose works are better on the page than aloud. Nothing
against oral or slam poetry, but some of us are textual learners!
It is not until the end of Injun (and
I wonder about this placement) that Abel described his process of writing the
book. It is not, as it turns out, just inventive use of language, it is also
found poetry; that is, poetry “found” in pre-existing text, text that was
previously not considered poetry, and manipulated into poetic form. This makes
the book even cooler; rare are entire collections of found poetry. More
importantly, subverting the source material (in this case, old western novels
where cowboys were good and Injuns were bad) gives the poems a strong sense of
empowerment, often, for instance, using racist words against their original
writers. Deconstructing, then reconstructing, often to make a brand new point.
Brilliant.
3 comments:
This one really struck me too. My first was place of scraps and it's fascinating too in terms of process. Do you plan to read more?
I'm looking forward to reading this one as well. I didn't realize it was all found poetry though - even more intrigued now. I do like found poetry - Karen Solie has quite a few found poems in some of her collections too (ie: in Modern & Normal)
Buried in Print: Do you mean, more by Jordan Abel? If so, yes, I'm open to that!
Melwyk: Thanks for the recommendation!
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