Friday, December 14, 2018

Reader's Diary #1985- Luke W. Molver: Shaka Rising

Usually when I think of a graphic novel as being uneven or inconsistent, I mean the art is good but the story is not or the other way around. In the case of Luke W. Molver's Shaka Rising, I feel the art is uneven and the story is uneven, both have their good and bad points.

In terms of the story, I was quite drawn to the plot of the Zulu warrior and his rise to the top. There were age-old, world-wide themes of ambition and jealousy that in reminding me of Shakespeare and the Bible made me reflect upon how we're all very much the same, warts and all. But then, the South African setting and Zulu culture elements made it so unique.

Those were the story's positives. Then the dialogue was so stiff and preachy. If it was in a film we'd mock it as Oscar bait. Every single line was meant to be profound as if important people can never have a goofy moment of relaxation.

The art? I quite liked the choice of colours, but they were applied with a computer-aided spray paint technique that I've never enjoyed. And body movements and positions looked rigid.

Thursday, December 13, 2018

Reader's Diary #1984- Jerome Ruillier, translated by Helge Dascher: The Strange

In many ways, Jerome Ruillier's graphic novel The Strange was what I'd been hoping to get out of Duncan Tonatiuh's The Strange. While both deal with the troubles faced by undocumented immigrants, I felt like I really got more a sense of the character and situation in Ruillier's. For one, it's longer. I'm a fan of short stories, even flash fiction; I'm not against brevity per se and think a lot can be accomplished in a short space, but Tonatiuh's needed expansion and Ruillier's delivered.

Ruillier's approach was to take the perspectives of many characters, the immigrant (the "strange") as well as those he'd encountered in his new country. If there's any truth to the old adage, three sides to every story: yours, mine, and the truth, Ruillier takes it even further with yours, yours, yours, yours, mine, and the truth. The result is a complex and more complete, empathetic picture.

As with Tonatiuh's book, however, I would have liked more at the beginning to help explain the person's motivation for leaving, but I didn't find myself dwelling on it as much this time around.

The art is quite interesting and I would guess that it's polarizing. It looks rough, rushed, almost amateurish at times, though you can also tell it's a stylistic choice rather than any lack of ability on Ruillier's part. But the use of animals, as in Maus, fits the themes of culture clashes well.

Wednesday, December 12, 2018

Reader's Diary #1983- Duncan Tonatiuh: Undocumented A Worker's Fight

Most ratings and reviews of Duncan Tonatiuh's Undocumented: A Worker's Fight have been so favorable that I'd really had my hopes up for this one. Especially with the current prejudices against immigrants, I thought it could be a very timely, important story.

I'll grant that the art is quite good and interesting, the tale itself is so rushed it's underdeveloped. It begins with Juan's life in Mexico before sneaking across the US border. Finally in the US he is beaten and mistreated and taken advantage of, especially being underpaid. I really felt the need for more in the first half. There was such an opportunity to humanize this person that was blown. If life is that bad in the US, why go? What was his original motivation? I think we needed to see how bleak and desperate his life was in Mexico to fully appreciate the full story.

Likewise, I liked the characters voice and got some sense of his personality, but it was too short to really connect. It felt like a pamphlet.

Tuesday, December 11, 2018

Reader's Diary #1982- Cassandra Clare (writer), Cassandra Jean (artist): The Mortal Instruments 1

I'd heard of Cassandra Clare's Mortal Instruments series before but not read it. However, I wouldn't say that a familiarization is necessary to enjoy the graphic novel adaptation. (Perhaps if you did enjoy the originals it would even work against your enjoyment?)

I liked the fantastical blend of religion (angels and demons) and other mythology (vampires, fairies, werewolves, etc) and the art, very manga-ish with exaggerated swirls which complemented the goth-feel.

I did wish a bit more time was spent exploring the whole "fish out of water" trope with Clary the protagonist adjusting rather quickly to a sudden bizarre world around her, but the trade off was a fast paced story with mystery and danger.

Monday, December 10, 2018

Reader's Diary #1981- Mabry Hall: Rudolph

I'm not sure who caught the Saturday Night Live episode this weekend hosted by Jason Momoa but there was a darkly comedic sketch starring Pete Davidson as Rudolph. Mabry Hall's flash fiction piece "Rudolph" is similar to tone to that but with a bit more noir feeling.

It's entertaining, well-written, and though it has a cliffhanger ending still feels complete in and of itself.

Sunday, December 09, 2018

Reader's Diary #1980- Wilfrid Lupano (writer), Gregory Panaccione (artist): A Sea of Love

Like Mel Tregonning's Small Things which I read just a month back, Wilfrid Lupano and Gregory Panaccione's A Sea of Love is another gorgeous wordless graphic novel.

This one is about a man separated from his wife from being lost at sea. It's more mature than Small Things but not risque or inappropriate by any means. It's amusing, has adventure, and there's a sweet love story to boot. The married couple seem a bit stereotypical in their gender roles at first, though the wife has a bit of an adventure of her own and seems to overcome her domestic, doting role somewhat. (She reminded me a little of Lady Jane Franklin, actually.)

But where the books shines is the art. The characters are exaggerated caricatures that reminded me of old French animation, while the backdrops are immaculately rendered in heavy, atmospheric water colours. Maybe these two styles should clash, but they wind up balancing out the story.

Saturday, December 08, 2018

Reader's Diary #1979- Cherie Priest (writer), Tara O'Connor (illustrator): Agony House

Just recently marked the 26th Literary Review's Bad Writing in Sex Award and as always these were a real treat to behold. So bad they're at the very least entertaining. But of course, it doesn't have to take a sex scene to come on a piece so spectacularly bad that it haunts you. There are plenty of books that I didn't enjoy this year but none had the distinction of having a memorably bad passage... until now.

He wasn't paying a lick of attention. He was too wrapped up in the chase, following his nose like a cartoon bird on a cereal box.

It's meant, I suppose, to be a funny simile, but man, is it ever corny and awkward. And it's particularly so since she seems to go out of her way to avoid referencing the actual character or the cereal. Yet elsewhere she name drops McDonald's and Wendy's. Would mentioning Toucan Sam and Froot Loops been that difficult? Not that it would have been a great sentence even with it, but it's just laughably bad this way.

To be fair though, the rest of the book isn't terrible to this extreme. I did find friendships rushed to the point of implausibility and the book's plot could have used some work (the worst for me was that it took a character the entire book to read a comic that, had she read it at any normal speed, could have probably solved the whole predictable mystery remarkably fast). But there were some aspects I liked; the comic parts themselves were well done and I enjoyed how they connected to the textual story, I enjoyed the New Orleans setting, and there were hints at least of weightier themes (gentrification, police racism, and so on).

Friday, December 07, 2018

Reader's Diary #1978- Sergio Ruzzier: Fox + Chick The Party and Other Stories

Sergio Ruzzier's Fox + Chick: The Party is an odd collection of 3 comics concerning a pair of friends known simply as Fox and Chick. The entire book is just 45 pages and formatted more to look like a traditional picture book, though it has panels and speech balloons.

What makes it odd though is the stiff dialogue and stories that just feel a little... off. In the first one for instance, Chick asks to use Fox's bathroom and doesn't come back out. When Fox checks on him, it turns out that Chick has invited his friends in through the bathroom window for a party.

The whole thing, the art and dialogue, feels old fashioned in a way. I wonder of some of this is cultural as Ruzzier originally hails from Italy.

Quirkiness aside, it was cute and amusing.

Thursday, December 06, 2018

Reader's Diary #1977- Shea Fontana (writer), Yancey Labat (artist): DC Super Hero Girls Date With Disaster

I'm glad there are female lead superhero titles and I'm glad that there are some more child-friendly superhero comics, but Shea Fontana and Yancey Labat's DC Super Hero Girls: Date With Disaster isn't exactly memorable.

The story is fine and fun, though some of the girls on the team seem to be poor fits as superheros for those familiar with their more complex mature story lines. Still, I guess some of their personalities and attributes are kept in tact (Harley Quinn's accent for example) and I was exposed to some characters that I'd not come across before (such as the Wasp knock-off, Bumble Bee).

The art, though bright, was also not my cup of tea. All the characters looked like Bratz Dolls (especially off-putting for Commissioner Gordon), and looked done by a computer; which is not a problem per se just not my own personal preference.

Wednesday, December 05, 2018

Reader's Diary #1976- Ian Boothby (writer), Nina Matsumoto (artist): Sparks!

A couple of times in the first chapter of Sparks! a graphic novel by Ian Boothby and Nina Matsumoto about a couple of cat superheros whose disguise is a single dog costume, I laughed at loud. It's a kids comic, so I immediately felt embarrassed for laughing so hard at it. Then I noted that Boothby had written Simpsons and Futurama comics as well and felt a little better.

Too bad though that it didn't remain as funny. It was still good, amusing and entertaining overall, but the villain baby was decidedly less so and it's such an overdone trope.

The cartooning by Matsumoto fun; fluid with a manga influence, and like most Scholastic comics, brightly coloured.

Tuesday, December 04, 2018

Reader's Diary #1975- Aminder Dhaliwal: Woman World

On the last page of Aminder Dhaliwal's graphic novel Woman World, there's a screenshot of a text conversation where she shares her idea for Womanworld in which men have gone extinct. She acknowledges that "something exactly like this probably already exists" and many of us would immediately respond, yes, it's a quite popular series called Y, The Last Man and it's by Brian K. Vaughan.

But like a good cover song, if you can bring something new to something that's already been done, it's perfectly fine. And Aminder Dhaliwal's Woman World is perfectly great. One (big?) difference is that there is no last man. It's focused entirely on women. But also, whereas Vaughan's take is more sci-fi with occasional humour, Dhaliwal's is more humour with occasional sci-fi. (Not sci-fi in the robots and space or time travel sense but in the new disease wipes outs half of humankind sense.)

Vaughan wasn't the only writer I found myself thinking of while reading world, but each other comparison was to someone else whose work I also admired and each time Dhaliwal spun it differently enough to make something truly her own.

The humour, for instance, was quite similar to Kate Beaton's. Kate Beaton usually has intelligent, hilarious satire, but is not afraid to get silly. And so does Dhaliwal. But whereas Beaton usually does so in short vignettes, there's a longer narrative running through Woman World, only stopping here or there for unconnected gags.

And Woman World also reminded me of Baroness Von Sketch Show, quite possibly the funniest show on TV right now. Just as that cast simultaneously celebrates and pokes fun at women, recognizes the spectrum of female personalities, and skewers the patriarchy without allowing that to take over the focus, so does Dhaliwal.

The art is very Beaton-esque as well, but my favourite scenes were the opening and closing ones which were the only ones to have colour. These had a cool vintage look.

Monday, December 03, 2018

Reader's Diary #1974- Henry Lawson: The Ghosts of Many Christmases

I didn't exactly get what I anticipated with Henry Lawson's "The Ghosts of Many Christmases;" there were no ghosts and it wasn't exactly a short story.

"Ghosts" in this case, are memories, and it's exactly that, a collection of Christmas memories, with no unifying plot. Still, it was fascinating to me to learn about Christmases in the olden days of Australia. There's a comfortable tone to the piece, like hearing your grandpa reminisce.

Sunday, December 02, 2018

Reader's Diary #1973- Jacqueline Jules (writer), Dave Roman (illustrator): Pluto is Peeved!

I remember in my first few years teaching being informed by a student that there was no longer a dinosaur referred to as a brontosaurus. Somehow what I'd learned as a kid had changed and it completely slipped by me. Fortunately I was paying attention when the designation of Pluto had changed and it was no longer considered a planet. Many people, however, never understood why or have forgotten the rationale. Jacqueline Jules and Dave Roman answer this question and more in a child friendly comic book approach that shows how science evolves over time as new discoveries are made. While Pluto is the anthropomorphic star of the book, the brontosaurus I mentioned above also makes an appearance.

The artwork is simple and eye-catching with nice bright colours.

One small bone of contention is that the answer to the question as to why Pluto is no longer considered a planet is not fully explained until the textual notes at the back of the book. In the comic book portion, it is explained that as a conference in 2006 some astronomers developed new criteria for what constitutes a planet, but they skip over which criteria Pluto failed to meet until the end notes which may be skipped over by lots of readers.

Saturday, December 01, 2018

Reader's Diary #1972- Liz Prince (writer), Amanda Kirk (illustrator): Coady and the Creepies

What a fun ride Liz Prince and Amanda Kirk's graphic novel Coady and the Creepies turned out to be after beginning with a car accident that left one character a paraplegic and another dead.

Coady and the Creepies deals with a a punk rock band of triplets who are touring around the country, having supernatural adventures along the way. The characters are well-defined, each with unique and enjoyable personalities. As a fan of punk music, I enjoyed that angle, even though I thought some things could have been handled a little better. Fake rock song lyrics are always cringe-worthy in comic books and they're no exception here. Also, there's a bit about an old punk rocker upset that Coady and the Creepies are girls and that they don't know punk music history. While I do think knowing music history is a good thing, I suppose there is something very punk-attitude about not caring. But there were a lot of classic punk rock bands and singers in real life (X-Ray Spex, Siouxsie and the Banshees, Patti Smith...) so I don't know that it's fair to pretend that females in punk is a new idea.

Small complaints though as I really did enjoy the book. Amanda Kirk's jagged line work had a real punk-vibe and the gorgeous colours and thick black lines reminded me of Ted Harrison's art. Ted Harrison isn't, of course, the most punk of artists, but I've always enjoyed him.

Friday, November 30, 2018

Reader's Diary #1971- Maggie Thrash: Lost Soul, Be At Peace

I saw on Twitter today someone stating that if they don't like the art, they don't bother reading the comic. I get the rationale and wholly agree that the art in a graphic novel should be as crucial as the textual elements, but I've had a few times where I've enjoyed the story in spite of the art rather than because of it. Maggie Thrash's graphic novel Lost Soul, Be At Peace is one of those instances.

I thought her art looked very amateur from a technical point of view. (Though it also reminded me of some old animated National Film Board of Canada films.) Nonetheless, I was very drawn into the story.

It's a ghost story but with an interesting twist. Perhaps heavy on the melancholy side, it nonetheless raises an important, not often discussed fact of growing up: the realization that sometimes we never get answers or solutions.

Thursday, November 29, 2018

Reader's Diary #1970- Hamish Steele: Deadendia The Watcher's Test

Hamish Steele's Deadendia: The Watcher's Test is a comic set in an amusement park haunted house which is also, conveniently, a portal to hell.

But though it has the whole hell-thing going on, it definitely aims to be funnier than scary. I wouldn't say it ever rises to the level of hilarious, but it does remain fun and engaging the whole way through. Art-wise, it reminded me a little of Adventure Time or Rick and Morty, but story-wise it's slightly (and at time only slightly) less weird than the former, and definitely less mean than the latter. With a very diverse cast of characters, friendships and acceptance are key.

Wednesday, November 28, 2018

Reader's Diary #1969- Claudia Gray (writer), Yusaku Komiyama (art and adaptation): Star Wars Lost Stars

Not the biggest Star Wars fan by any means, I still enjoy the occasional movie or book, but wasn't overly excited to read Claudia Gray and Yusaku Komiyama's manga Star Wars Lost Stars. I expected it be an entertaining, but ultimately forgettable diversion at best.

It was surprisingly great. There's a real and richly developed human story at its core with a friendship (possible romance) between two young Empire cadets; sub-themes about racism and what drives some folks to fight on the "wrong" side could also lead to some provocative discussion.

The art too is fabulous. Komiyama's thin, crisp lines reminded me of Katsuhiro Otomo's work (Akira) and worked especially well with the Star Wars machinery, uniforms, and spacecraft.

Tuesday, November 27, 2018

Reader's Diary #1968- David Jesus Vignolli: A Girl in the Himalayas

Perhaps it's due to Marvel's Iron Fist and Dr. Strange, but I'm weary of books set in the Himalayas written by outsiders. And with David Jesus Vignolli's graphic novel A Girl in the Himalayas I figure those fears were justified. Once again it's a mystical land presented with a very tenuous grasp on religion and philosophy. There's commentary about resource exploitation but other than "it's bad" I couldn't say exactly what it is.

Better are moments between the central character (the titular girl) and her new guardians, one of whom gave up his immortality to save her. Touching at times, I still felt some of this angle's potential was lost.

The art at least is great. Somehow the style seems to be a cross between Jeff Lemire and Osamu Tezuka's; organic and simple. It's mostly black and white but enhanced with rusty orange water-colours.

Monday, November 26, 2018

Reader's Diary #1967- Guadalupe Nettel: The Wanderers

I'm going to try and be as careful and clear as possible by stating up front that I am in no way comparing the turmoil faced by refugees to Newfoundlanders who leave to find work, but a small part of me did appreciate and understand the idea in Guadalupe Nettel's short story "The Wanderers" that the longer one stays away from a place they consider home, the more difficult it is ever to return.

That's not all I appreciated about the story; it's also rich in human emotion and imagery. It might be said that an albatross metaphor is heavy-handed, but I think Nettel is pretty up front about that and manages to sell it as a character quirk.

Sunday, November 25, 2018

Reader's Diary #1966- Louise Penny: A Fatal Grace

I haven't read a lot of mysteries but the ones I've read have more often let me down. I wouldn't go as far as saying they were poorly written, just not what I personally wanted from the experience. I've been looking for a classic whodunit, wanting to be given enough clues to participate in the process, maybe even figure it out for myself before the big reveal.

I definitely got it this time around with Louise Penny's A Fatal Grace. Involving a bizarrely complicated murder in a small Quebec town, I kind of feel Penny came up with the murder first and then wrote a story around it. Which would be totally fine by me. I'll say that I did manage to guess who the killer was in advance but it was, admittedly, just a guess and not by my having paid sufficient attention to the clues. I also suspected everyone at one point or another so no matter who it would have wound up being, I could have said that I'd predicted it.

An added bonus to my finally having gotten what I was looking for, was it being set at Christmas. It was a perfectly cozy tale to read this time of year.

A few stray observations and comments:

1. This was the second of Penny's Inspector Gamache books and though I haven't read the first, it largely works as a standalone. There's a bit of animosity between Gamache and an Inspector Nichol that seems residual from Still Life, but it's not too much of a distraction.

2. There's a bit about the unlikeable victim wearing baby seal skin boots that seems over-the-top. Like a character in Dennis Leary's "Asshole" song. Plus it leads to a few rather misguided, no matter how well-intended, comments regarding Inuit culture.

3. One of the characters makes a reference to bakeapple blossoms which I found surprising. I though Newfoundlanders were the only ones to refer to cloudberries as bakeapples.

Finally, this marks the end of a list I created a few years back of glaring omissions of popular books I'd not read. It's taken so long to complete that there's a brand new bunch of popular books that have slipped by me. Still I'll refrain from creating a brand new list just yet.

1. Twilight- Stephenie Meyer
2. Fifty Shades of Grey- E.L. James
3. Confessions of a Shopaholic- Sophie Kinsella
4. the Sisters Brothers- Patrick deWitt
5. The Girl With the Dragon Tattoo- Stiegg Larsson
6. The Gargoyle- Andrew Davidson
7. Outlander- Gil Adamson
8. Flashforward- Robert J. Sawyer
9. Fear the Worst- Linwood Barclay
10. No One Here Gets Out Alive- Jerry Hopkins
11. A Fatal Grace- Louise Penny
12. Room- Emma Donoghue
13. Bitten- Kelley Armstrong
14. The Book of Awesome- Neil Pasricha
15. Outliers- Malcolm Gladwell
16. The Lightning Thief- Rick Riordan
17. Freakonomics- Steven D. Levitt and Stephen J. Dubner
18. Water For Elephants- Sara Gruen
19. Book Thief- Markus Zusak
20. The Kite Runner- Khaled Hosseini

Friday, November 23, 2018

Reader's Diary #1965- Aron Nels Steinke: Mr. Wolf's Class

What a pleasant surprise I had with Aron Nels Steinke's graphic novel Mr. Wolf's Class.

Some of the surprise, I'll admit, was unwarranted and only due to my guilt for having judged a book by its cover. And there isn't even anything wrong with the cover! The characters reminded me of the quirky kind of cartooning you see in Adventure Time or Rick and Morty and while I don't mind those, I just wasn't in the mood for that sort of comedy. Thankfully, that wasn't a fair assessment at all and the humour here is light and quite sweet and doesn't get in the way of character development or plot.

The other half of the surprise was that it made me nostalgic for teaching. After having taught for about a dozen years, I switched careers to become a librarian. It was time for me to leave that profession and it's a decision I haven't regretted for even one second. Still, it was nice to recall the moments that I did love teaching. While Steinke, thankfully, doesn't get into all the bureaucracy around teaching or the limited resources or unrealistic, often competing and hypocritical expectations, he does however present a very realistic look at the positive aspects of teaching. Even when a student goes missing (the main plot and not as serious as it sounds), there's humour to be found. Plus friendships form and unique personalities are celebrated. I especially liked that Mr. Wolf was given his own idiosyncrasies, nice but not perfect, and shown to have his own life apart from the kids, though sometimes intertwining. The scene of him playing tag with the students was taken straight from my own memories.

The art looks quite simple on the surface, but is actually quite complex and great, illustrating a real knack for close-ups, unique perspectives, and use of panels/ gutters which all aid in telling the story along with the text.

Thursday, November 22, 2018

Reader's Diary #1965- Hope Larson and Jackie Ball (writers), Elle Power (artist): Goldie Ball Volume 4

When I realized that this was the 4th volume in Hope Larson and Jackie Ball's Goldie Vance graphic novel series, I was nervous that I wouldn't be able to follow along, not having read the first 3. However, the story is self-contained and I was able to quickly get a feel for the characters and their relationships. Speaking of which, the only real question I have lingering that perhaps is addressed in earlier volumes, is the time setting. It's in Florida and radio stations are still using vinyl records and there doesn't seem to be smart phones. But Goldie is openly gay and no one bats an eyelash. Maybe it's a fictionalized version of early 80s Florida where everyone is accepting of one another's gender and sexuality?In any case, it's all very refreshing.

Plot-wise, it's a bit over-the-top with Cold War era Russian villains who are embedding frequencies into records that can shut down electrical grids. Goldie, being the Nancy Drew-type she is, is on the case. It's a lot of fun and doesn't seem meant to be taken that seriously.

Elle Power's art seems heavily manga influenced, especially in her characters. She didn't put much attention into background details which normally bothers me, but Sarah Stern fills the would-be white spaces with bright, almost neon colours that fit the mood and setting perfectly.

Wednesday, November 21, 2018

Reader's Diary #1964- Mark Siegel, Alexis Siegel (writers), Xanthe Bouma, Boya Sun, and Matt Rockefeller (artists): 5 Worlds Volumes 1 and 2

One of the most imaginative sci-fi/ fantasy worlds I've come across in recent years must be in the first two volumes of Mark Siegel and Alexis Siegel's 5 Worlds graphic novel series. Unique creatures, settings, and cultures abound. I'd say there are some parallels with our own world (there are humans, they're having issues with global warming) but the story seems far from any parable for life on 21st century Earth. Also, the 3 main characters are fully developed and interesting.

I wouldn't say it's perfect though. Like the story, the art is also quite unique. They also did wonderful things with light. But I did find sometimes that an over reliance on pastels left it looking a bit washed out.

I'd also say that the second volume was more confusing (it definitely would not stand on its own) and too often exposition comes in the form of long winded and awkward dialogue. Plus, the complicated universe wasn't aided by a plot revolving around characters that were possibly lying.

Tuesday, November 20, 2018

Reader's Diary #1963- Tanya Tagaq: Split Tooth

"The drunks came home rowdier than usual one night, so we opted for the closet. We giggle nervously as the yelling begins."

The above sentences from the very first page of Tanya Tagaq's debut novel Split Tooth reveal a lot about what the rest of the book will be like. Obviously there's real life drama, but there's also some laughter. More importantly the book is a challenging read despite appearing on the surface to be straightforward. (More than a few people I know have remarked that they finished the book, slightly less than 200 pages, in one sitting.) What's so difficult about the above passage?

The tense switches from past tense to the present without any warning. It speaks loudly about the power of memory, for sure, but Tagaq and/or her nameless protagonist have an interesting relationship with time that may be the key to understanding other intents. "Time," she writes later on, "has a way of eternally looping us in the same configurations."

I found myself dwelling on this quite a bit. So much so that in a chapter dated 1978 when she mentions wearing acid washed jeans and a colour changing heat-sensitive sweatshirt and bangs hairsprayed high, I almost convinced myself that this image, clearly from 1988, was intentional. (I'm now more inclined to believe that the fashion description was a mistake and that there's an earlier draft of the book that has it all set a decade later, but this is all a guess on my part and not really vital to the larger story.)

If you've concluded by now that I was confused by this book, you'd be right. If you've assumed that I didn't enjoy the book, however, you'd be way off base.

It may be interesting to note that I was reading Tagaq's book simultaneously with Louise Penny's A Fatal Grace, a book far more traditional by CanLit's colonial standards, and enjoying them both. A fan of Tagaq's music as well, I knew enough to not expect anything easy or necessarily comfortable. She once wrote on Twitter, "I'm not weird you are just boring." I'll also note that Split Tooth incorporates a lot of traditional Inuit stories and spirituality, both of which I've only had passing (but fortunate) encounters with.

Still, there was enough of a plot that I could discern (it's actually similar to the origin story of Nelvana of the Northern Lights- can we please start a petition asking Tagaq to revive and reclaim that comic book heroine?) and the more artistic experiments and philosophies gave my brain a much needed workout. I'll be dwelling on it for some time.

Monday, November 19, 2018

Reader's Diary #1962- Aleksis Kivi: Seven Brothers in the Sauna

Aleksis Kivi's "Seven Brothers in the Sauna" was originally written in Finnish and is mostly made up of a conversation.

It's also strange. I'm going to assume that some of the story would require more than a passing familiarity with Finland and her customs (all I know is that they rake their forests) and also that there's likely a lot lost in a rather awkward translation.

Sunday, November 18, 2018

Reader's Diary #1961- Ashley Spires: Fluffy Strikes Back / Gordon Bark to the Future!

I began with Ashley Spires' Gordon Bark to the Future! the second in her P.U.R.S.T. Adventure series of graphic novels. I didn't, however, realize it was the second. But when the book began with the line, "It's all up to Gordon now" I began to assume there was an earlier book that left off with a cliffhanger.

It is a time-travel book though so to some extent gaps in my knowledge were filled in courtesy of visits to the past. However, time travel creates a whole other slew of complications and the plot was sometimes a bit of a rushed mess.

I also wasn't crazy about the scatological humor. I'm not offended at poop or pee jokes, and believe it's even possible to be (but not usually) funny. Here though panels of Gordon peeing or pooping just seemed thrown in. And when more panels could have been devoted to clearing up the plot, these scenes were just annoying.

Art wise, if your a fan of Spires highly stylized characters, you'll be fine. I think Gordon looks an awful lot like the way she draws cats (which also don't look like cats).

Not having been overly impressed with Gordon Bark to the Future! I decided to go back to Fluffy Strikes Back, the first P.U.R.S.T. Adventure. It's definitely an easier to follow, and funnier,  story though didn't exactly pave the way to Gordon's tale.

I will say, on a positive note, that I enjoyed Spires' experimentation with genres; spies in Fluffy Strikes Back and sci-fi in Gordon Bark to the Future.

Saturday, November 17, 2018

Reader's Diary #1960- Debbie Tung: Quiet Girl in a Noisy World

Debbie Tung's Quiet Girl in a Noisy World is somewhat reminiscent of Sarah Anderson's or Allie Brosh's comics in that they take comedic approaches to their own lives, especially focusing on their insecurities. As it happens, their insecurities are also my insecurities, so if anyone wanted to know me better (anyone? no?) I'd safely recommend any of these.

Tung's book is subtitled An Introvert's Story and herein lies the source of most of her insecurities. The book however explores how society has made her, and me, insecure about that, convincing us that it's a weakness and something to be ashamed of. However, she still leads a successful life, has a healthy relationship (her extroverted spouse reminded me of my own), and as she starts to discover, there are plenty of introverted people with very similar traits and just knowing that can be a revelation and a source of comfort. This is why the book is so important.

Unsurprisingly, the book is in black and white with grey watercolours. Not goth necessarily, just no need to be flashy.

Friday, November 16, 2018

Reader's Diary #1959- Ben Clanton: Super Narwhal and Jelly Jolt / Peanut Butter and Jelly

When I read Ben Clanton's Narwhal: Unicorn of the Sea originally, I was left with some misgivings that it was a tad too sweet and the art was overly simplistic. But knowing how popular the series has become among young readers, I felt I owed the books another look.

Super Narwhal and Jelly Jolt is the second in the series and already I was coming around to the appeal. The characters are getting a bit more defined (Narwhal seems to have the bigger imagination and Jelly is more of a skeptic) as their friendship remains sweet. Art-wise, it's still pretty simple but there is some use of collage and patterns thrown in which amps the skill level without making it intimidating.

This all continues with Peanut Butter and Jelly, the 3rd book of the series. My only reservation this time around was the potentially bad messaging. Basically it's a rip off of Green Eggs and Ham as Jelly tries to get Narwhal to try a peanut butter cookie. Spun right, it's a valuable lesson of not knocking something until you try it. Spun in another direction, it could be argued that kids should give into peer pressure.

Thursday, November 15, 2018

Reader's Diary #1958- Ian Lendler (writer), Shelli Paroline and Braden Lamb (illustrators): One Day a Dot

It's not every day you come across a picture book that seeks to explain the Big Bang theory and evolution to the very youngest of readers. Yet, I'd say Ian Lendler, with the assistance of illustrators Shelli Paroline and Braden Lamb have definitely pulled it off in a way that is fun and easy to understand in One Day a Dot.

Of course, to simplify billions of years of history in such a way undersells how long these things actually took and also implies that the time between events was equal, but as an intro it's fine. The only small change I'd personally make is the section on the meteor that wiped out the dinosaurs. They make it seem like the only land animals that survived were mammals when that's not true. Perhaps Neil deGrasse Tyson would have other critiques, but mine are minor and overall, I'd recommend it.

Wednesday, November 14, 2018

Reader's Diary #1957- Mairghread Scott (writer), Robin Robinson (artist): The City on the Other Side

I'll admit not having high hopes for Mairghread Scott and Robin Robinson's The City on the Other Side. It's fantasy and while I've read a bit from the genre here or there, I'd hardly call myself a fan. But more concerning, I recently read a Transformers / G.I. Joe crossover comic penned by Scott and I really didn't enjoy it all all.

However, I was won over.

Actually, urban fantasy would be a more precise category for the book being set partially in San Francisco, partially "behind the veil" of San Francisco. For Stranger Thing fans, think the upside-down but instead of gorgons, think two sects of warring fairies, the Seelies and the Unseelies. I quite like San Francisco, so I was happy to find it set there and intrigued by the time period, shortly after the 1906 earthquake.

Centered around a human girl named Isabel who feels rather ignored by her parents and one day inadvertently finds herself behind the veil, with powers no less! she and her situation are a bit of a trope I would argue. (Could her magical amulet be akin to Dorothy's slippers?) In any case, there's enough creativity in the delivery and details that it hardly matters. I especially liked that war was explained in a way that wasn't completely black and white.

Robin Robinson's art was also good, and I especially enjoyed her used of panels. In one particularly interesting sequence, one story is going on in the panels while behind them another is happening; this was especially appropriate considering the whole "veil" idea.

Tuesday, November 13, 2018

Reader's Diary #1956- Isabel Quintero (writer) and Zeke Peña (illustrator): Photographic

A blurb written by Lilliam Rivera, on the back of Isabel Quintero and Zeke Peña's Photographic: The Life of Graciela Iturbide, states that "it is a rare feat when a writer and illustrator are able to capture the creative magnitude of an iconic photographer."

It was a rather odd declaration. I would say it's just as rare that writers and illustrators even try. And it isn't to suggest one art form is superior over another, it's just that they are usually content to be their own beasts. So, I think kudos are in order for Quintero and Zeke Peña for even attempting a graphic novel approach to a photographer's biography.

Unfortunately, I'm not convinced that it worked.

I wasn't familiar with Graciela Iturbide or her photography before now, photography not being an art form I've paid a lot of attention to. I did enjoy the few photos of hers that made it into the book, as well as quotes from her about her craft and perspective (why, for instance, she chose black and white). But I'd rather have had more photos and more words. Peña's line work, capable as it was, didn't really add much in my opinion, and Quintero's sparse poetic take, seemed clunky and lacking.

Monday, November 12, 2018

Reader's Diary #1955- Benjamin Paige: A Soldier's Short Story of Battle

Sometimes we have no way of knowing how accurate an author got it. There's some trust involved but the author must also make it feel authentic.

Such was the case with Benjamin Paige's "A Soldier's Short Story of Battle." Not having been at war myself, I could only compare Paige's story of a soldier surveying a battle scene and quickly recounting the events that led him here before charging to places I've been (Vimy Ridge) and countless war movies, tv shows, and books I've seen. But even then it's the way Paige describes the soldier's thinking process that sold the story for me, that made it ring true.

Making this feat even more incredible was that Benjamin Paige was only 11 years old when he wrote this 7 years ago in Alberta.

Sunday, November 11, 2018

Reader's Diary #1954- Joris Chamblain (writer), Aurelie Neyret (artist): Cici's Journal Vol. 1

Joris Chamblain's Cici's Journal Vol. 1 is a promising start to a new series featuring a young girl who's also a writer-in-training. Getting the advice of a local author she admires, Cici aims to study people and their motivations. Like most kids she has an active imagination and an interest in spying on grown-ups. However, in the two adventures that make up this first volume, her nosiness pays off.

The first story is also the stronger of the two. It deals with a mysterious old painter that Cici discovers has been keeping an old shut-down zoo "alive" by painting the animals that used to live there. It's a unique and quite beautiful story with valuable lessons about art and community.

The second is perhaps the more ambitious of the two, but some of the messages and lessons got lost in my opinion. In this one, there's an old lady who Cici discovers has been checking out the same book from the local library week after week, year after year. She's advised however that perhaps she's meddling a bit too much in this instance. Unfortunately, the warning I think would have been lost given the outcome of the story (which I won't spoil here). Likewise, there's a sub-plot involving a feud with a friend, but it's underdeveloped, never really clear on why it's happened, nor how it got resolved.

Aurelie Neyret's art was also strong, but with some caveats. It was beautiful, with exquisite line work and great characterizations, but the colouring I felt a bit too sepia toned, giving the book a nostalgic or historical feel. I was surprised when a cellphone was mentioned as I thought at first that it was set in the past. I also felt that Cici's personality was such that it deserved brighter colours. Another issue, and I fear that I'm drifting into nit-picking with this one, was the speech balloons. They didn't have frames and the tails that typically points to the speaker, were so thin and twirly that sometimes I had to get back to see who said what.

Saturday, November 10, 2018

Reader's Diary #1953- Tedd Arnold, Martha Hamilton, and Mitch Weiss: Noodleheads Find Something Fishy

Reading through Tedd Arnold, Martha Hamilton, and Mitch Weiss's Noodleheads Find Something Fishy, I found myself thinking at first that it wasn't the most original of books.

The Noodleheads, a pair of twin macaroni both called Mac, are sweet and inquisitive characters but profoundly stupid. They take things entirely too literally, come up with moronic solutions to simple problems, and inadvertently speak in puns. They reminded me of Amelia Bedelia and a slew of other such characters. When they marked an X on the side of their boat so they'd know where they saw a fish, however, I knew for sure I'd heard of that gag before. I supposed that a good many really young readers wouldn't have and might still find it funny, but it ate away at my respect for the writers.

Then, at the end, there are a couple of page of authors' notes that made me forgive everything. They credit these plots and situations to specific folk tales from around the world and even discuss the importance of stock "fool" characters. Would kids be interested in all of this? Maybe, maybe not, but it certainly helped elevate the project for me.

Art-wise, if you're familiar with Arnold's work on his Fly Guy series, it's pretty similar except in comic book form. Lines are thick and curvy, details are simple, but nonetheless it all does the trick.

Friday, November 09, 2018

Reader's Diary #1952- Joe Flood: Sharks

I was super into animals as a kid. In fact, I wanted to be a veterinarian for the longest time. Despite that, sharks never held any real fascination for me, no more than any other animal in any case. I was not one of the many kids who, according to biologist David Shiffman who wrote the intro to Joe Flood's Sharks: Nature's Perfect Hunter, "[went] through an 'I love sharks' phase." That said, this nonfiction comic might just be the start of one.

Flood does an excellent job highlighting just why these beasts are so unique and worthy of our awe all while making science fun and accessible. He talks about how they are different than bony fish (stating that a cat and a hummingbird are more similar to one another); gets into taxonomy, evolution, anatomy and physiology, and other concepts; and uses a variety of different shark species to illustrate his points. Readers will learn about science through sharks and sharks through science.

Flood's art reminded me of Erica Henderson's work on Squirrel Girl and gave the book an upbeat, fun tone.

Thursday, November 08, 2018

Reader's Diary #1951- Teresa Radice (writer), Stefano Turconi (artist): Violette Around the World 1

I'm curious to know what Teresa Radice's plans are for Violette Around the World as it is clearly meant to develop into a series; this one is labeled volume 1 and it's only set in France, despite the title alluding to the entire planet.

With that in mind, it's hard for me to fully comment on the book. It's a comic with classic bande dessinee formating, and much of it seems to be setting up the premise and characters. It's set in the mid to late 1800s and revolves around a traveling family circus.

I didn't feel however that I really connected with the titular Violette yet as she meets up with artist Toulouse Lautrec and he steals the spotlight. I wonder if Violette will continue meeting famous historical figures. It's certainly a fun way to handle an educational goal but will Violette get lost in the shuffle?

I also found myself thinking about diversity as I read it. On the one hand,there's a lot of representation here from people of different cultures but I don't think that they're handled well. Violette's granddad, as a perfect example, is from the Himalayas and really stereotyped. He sits cross-legged on a rug, in traditional garb, eyes shut and smoking a pipe while speaking in wise proverbs. It's pretty cringe-worthy.

The art though was really good. It had the flowy-angular lines that captured movement well (not unlike a Toulouse Lautrec piece), while the characters had a vintage Looney Toons vibe, complementing the comedic approach.

Wednesday, November 07, 2018

Reader's Diary #1950- Sam Sykes (writer), Selina Espiritu (artist): Brave Chef Brianna

It's fascinating sometimes how unrelated books seem to talk to one another, how you can pick up random books for random reasons and still find similarities. Sam Syke's Brave Chef Brianna is a young adult oriented graphic novel about a new chef, which reminded me of Yakitate!! Japan, which I read back in August-- I would consider this an unusual topic for younger readers. While chef Brianna is a human, the story is set in a city of monsters, reminding me me of Grace Ellis's Moonstruck, which I read back in September. And whenever Brianna has self-doubt, these are manifested by small inky demonic blobs around her, unseen by her peers; exactly the same concept as in Mel Tregonning's Little Things, which I read just last week.

It's human nature to compare things anyway, but it's even harder to resist when you find such unusual and coincidental commonalities.

I didn't, for instance, like the art in Brave Chef Brianna as much as in Little Things. Espiritu's art was serviceable, and fit the mostly fun tone of the story, but no where near the same level of craftsmanship.

I did enjoy the story a lot more than Moonstruck. It was definitely more focused. Brianna is competing with her brothers to win their father's cooking empire legacy until finally Brianna realizes that this contest created by her dying father is a pretty shitty thing. And, unlike in Moonstruck, there's a strong supporting cast that remains just that.

I'd probably put it on par with Yakitate!! Japan, as it's not the greatest thing ever, but it's a surprisingly fun take on a rather uncommon career. It also has strong themes about ambition, friendship, and confidence.

One unique theme that could be read into Brave Chef Brianna is cultural sensitivity; the ideas of cultural appropriation, colonialism, and racism. There's a story bubbling under the surface of whether or not this human has the right to intrude upon the world of monsters, especially given how humans have exploited and mistreated monsters in the past.

Tuesday, November 06, 2018

Reader's Diary #1949- Julia Kaye: Super Late Bloomer

Earlier this year I read Sabrina Symington's First Year Out and while Julia Kaye's Super Late Bloomer is also a transgender woman's memoir of transitioning, they are two very different books. I suppose this should go without saying to some extent; just because two women are transgendered does not mean they have identical personalities. And for sure, they do. They also have some common experiences; self-doubt, friends who accept them and friends that don't, good days, bad days, etc. But what I mean when I say that they are both very different books is their approach.

I would say Symington's aimed to be a bit more comprehensive. While still telling her own personal story, she also got into everything from the science, philosophy, and politics of gender and transitioning. Kaye's focuses almost entirely on her own experience, treating it as a day to day journal of transitioning. With those differences, both obviously have their own unique strengths and would appeal to different readers who come to the books with different purposes in mind.

I would Kaye's offers a more intimate portrait and readers of any gender will likely cheer her on when she's up and cheer her up when she's down.

The art felt a bit on the rushed side for me, coming across more as a newspaper strip than a graphic novel. For the humorous moments, it fit. And I would imagine that drawing a daily journal strip was cathartic for Kaye, that spending weeks on a single set of panels would have taken away from that aspect. Still, some colour, some refinement, some extra detail in the backgrounds, would have made me appreciate it more.

Monday, November 05, 2018

Reader's Diary #1948- Gilbert Parker: The Going of the White Swan

Gilbert Parker's The Going of the White Swan begins strong enough. Set in a cabin in the Canadian wilderness, a young boy is dying after a cougar attack has led to an infection. His father is trying to keep it together, but on top of his son dying, his wife (the boy's mother) has also recently run away. The boy seems to be drawing solace for his situation through his faith in God, whereas the father wishes he could also believe.

Unfortunately the story then begins to show its age and colonial perspective (it was written in 1912), hitting on all those familiar refrains: women are property, Indigenous people are evil drunkards, and it's perfectly acceptable to coerce a man into religion. Sigh.

Sunday, November 04, 2018

Reader's Diary #1947- Kate DiCamillo (writer), Harry Bliss (artist): Good Rosie!

I'm not too sure that I would have been all over Kate DiCamillo's comic book/picture book Good Rosie! as a child as it leans towards the saccharine side. That said, it did remind me a bit of Arnold Lobel's Mouse Tales, which was a favourite.

There's not an overly complicated plot by any means; Rosie is a shy dog whose owner takes her to a dog park. Here she meets a couple of other dogs, one who greatly outsizes her but wants to be her friend, the other who is overly excitable but also wants to be her friend. Of course, it all works out in the end.

It's not as funny as the aforementioned Lobel book, but it does have some amusing moments and the slow voice of the big dog would make for a fun read-aloud.

Harry Bliss's soft art works well for the story.

Saturday, November 03, 2018

Reader's Diary #1946- Marguerite Abouet (writer), Mathieu Sapin (artist): Akissi Tales of Mischief

Growing up I used to love hearing stories of my parents' childhoods. Often they seemed to do such dangerous, stupid things-- were free to do so! And survived! The funny thing is, while I think my parents were more cautious than their own, when I tell my kids stories about my childhood, I also know darn well that I'd have a conniption if they did half of that stuff. Every generation, it seems, loses some freedom for adventure while their parents get stricter.

Reading Marguerite Abouet's Akissi: Tales of Mischief really took me back to those days of imagination and danger, of kids who misbehave but are not really bad kids at heart. I couldn't tell exactly when the book is set but I'd guess perhaps the 70s based on their obsession with Spectreman and on a Bruce Lee movie being shown in the theater. So, no doubt some of the titular character's misadventures could be chalked up to the times, but I was also intrigued by the Cote D'Ivoire setting. Are kids there today as restrained by helicopter parents as they are in North America, I wonder?

There are some more serious themes if one is to look (gender roles, for example), but for the most part the book is just a fun, celebration of childhood, warts and all. Complementing this lighthearted tone is Mathieu Sapin's whimsical, unpretentious art.

Friday, November 02, 2018

Reader's Diary #1945- Mel Tregonning: Small Things

Mel Tregonning's Small Things is a wordless picture book that tells a story of an anxious young boy using elements of comics.

Using soft but detailed gray-scale pencils, the art reminded me of Chris Van Allsburg's black and white work, but the star of the book, the nameless boy shown on the cover, has large expressive eyes that also showcases his youth and would endear him to most readers (this is my way of saying he's adorable). He goes about his day just trying to fit it, to be accepted, to feel valued, time and time again being rejected by his peers, getting poor grades, and tripping over himself. At least he has an older sister who tries to help. While it doesn't have a fairy-tale happy ending, it does at least end on a hopeful note and sends the message to those with similar experiences that at least they're not alone.

Upping the ante is an intriguing artistic choice to show little pieces breaking off and cracks appearing whenever the boy doubts himself. These pieces then take on little demonic sprites that surround him and live in his shadow unbeknownst to anyone else.

Thursday, November 01, 2018

Reader's Diary #1944- Jeremy Whitley (writer), various artists: The Unstoppable Wasp Vol. 2 Agents of G.I.R.L.

After reading the first volume of The Unstoppable Wasp last year, I was still on the fence about the series and the Nadia version of the character. This time around however, I feel like Jeremy Whitley has settled into his groove and this run is much stronger.

Whereas last time a large majority of the plot revolved around Nadia trying to recruit characters into her new G.I.R.L. team of super-scientists, meaning that cameo characters too often stole the show (Ms. Marvel, Dinosaur Girl, etc), this time around her team is essentially in place from the get go. There's a little background info on the characters but ultimately it's Nadia's story. There are still a few cameos from Janet Van Dyne, the original Wasp, and from Bobbi Morse, a.k.a. Mockingbird, but it's Nadia's relationship with these characters that was important. (Though it was a very important highlight that Janet's domestic abuse at the hands of Hank Pym, the original Ant-Man, was discussed.)

And, while Nadia's character is finally being developed, there's some actual adventure plot as well with the G.I.R.L. team trying to separate an explosive device that has been fused to their friend's spine. How do they accomplish this? Science, of course! It's a hugely important message for people to see highly capable young women in science when we all know how under-represented and under-appreciated they have been in such fields. Adding to the progressive messaging in this book is the diverse characters, including those from different cultures, abilities, and orientation. None of this seems didactic, just as a fact of life.

Art-wise, it's best in the earlier comics with Elsa Charretier helming, as she has a real creative flair and some unique paneling approaches. Especially great is a two-page spread of a room in the Pym House that has been divided up into panels resembling the rays of a sun. The room is shown in a single background image, while repeats of the G.I.R.L. members are shown throughout, establishing how much work they are doing and how well they're making use of the space. The artists who finish off the later comics are good in the sense that the transition wasn't jarring, though I missed anything exciting like the aforementioned Pym House scene.

Wednesday, October 31, 2018

Reader's Diary #1943- Olivia Burton (writer), Mahi Grand (artist), translated by Mike Kennedy: Algeria is Beautiful Like America

Near the end of Olivia Burton's graphic memoir Algeria is Beautiful Like America, she writes that she has "leapt feetfirst into black-and-white memories that weren't [her] own."

I suppose this explains the use of black and white and colour throughout the book. As she visits a contemporary Algeria to visit a land where her parents and grandparents spoke of fondly, their home as French colonialists, prior to moving back to France, the scenes are predominately black and white and the only time colour is introduced is when she takes a photo. It's a way of showing her creating memories of her very own.

I respect the artistic intent then, though I do wish the whole thing had been in colour. As it was, I found the gray-scale and soft pencil lines to be lacking heft, leaving me mostly unconnected. Likewise, the lettering was thin and small; lettering being something I don't usually even notice unless I don't like it.

I did enjoy some of the themes; wrestling with the colonial sins of one's ancestors, the rose-coloured nostalgia of the elderly, for instance. And I appreciated learning about Algeria, its present culture and the history of reclaiming independence from the French. But I felt the personal story was left in need of stronger art.

Tuesday, October 30, 2018

Reader's Diary #1942- Jacob Sager Weinstein (writer), Vera Brosgol (illustrator): Lyric McKerrigan, Secret Librarian

Children's picture books essentially meet Scott McCloud's widely accepted definition of comics; "juxtaposed pictorial and other images in a deliberate sequence, intended to convey information and/or produce an aesthetic response in the viewer." Despite having said features however, it's never felt to me when reading a picture book that I'm reading a comic. They've seemed to be related but ultimately separate beasts.Picture books most often don't have typical comics tools and symbology.

Jacob Sager Weinstein and Vera Brosgol's Lyric McKerrigan, Secret Librarian is one of the few classification-blending examples. It has the size and length of a typical picture book, but also has panels and speech balloons. Neither of the latter features are mandatory for McCloud's definition above but would certainly help in introducing younger readers to more traditional comic books.

I also think younger readers would quite enjoy it, which comes as a bit of a relief. I see "Librarian" in a title and I immediately think it's going to be well-intentioned but ultimately boring and/or schmaltzy. Or miss the mark on librarianship altogether.

Weinstein's story of the evil Doctor Glockenspiel's threat to destroy the world's books unless he's given one billion trillion dollars is action packed and anything but boring. It's also, with a large credit to Vera Brosgol's art, hilarious in a Despicable Me silly and over-the-top sort of way.  I especially enjoyed Glockenspiel's three henchman, identical except for their varied facial hair.

Given the ludicrous plot, you might think that my other fear (i.e., missing the mark on librarianship) was justified. It's not like most us deal with super-villains on a daily basis after all. However, Lyric McKerrigan, Secret Librarian saves the day with reader's advisory which is an actual librarian skill. Sure it's never referred to specifically as "reader's advisory" and sure, she also makes use of a series of physical disguises, but these are just fun liberties. (And I have been known to wear a wig at work.)

Monday, October 29, 2018

Reader's Diary #1941- Michael Sheldon: The Spirit of the Bank of Lower Canada

Michael Sheldon's ghost story "The Spirit of the Bank of Lower Canada" reminded me of Stephen Leacock's writing. It's satire, not too hilarious and slightly smug, but amusing nonetheless.

This one takes the idea of a ghost writer quite literally. The ghost in question is Mr. Percy Aikanshaw who was the speech writer for bank president until, and after, the day he died. For generations, he's been loyal to the bank and highly appreciated. Then one day that all changes.

The satire on generational divides is as relevant today as it was then.

Sunday, October 28, 2018

Reader's Diary #1940 Edward Albee: Who's Afraid of Virginia Woolf?

A couple of weeks back the Simpsons spoofed Edward Albee's play Who's Afraid of Virginia Woolf? and only because I was in the middle of reading it, coincidentally, did I recognize it. The spoof itself didn't work. It wasn't funny, it was an overly long sequence, and it seemed weird. It was also not so much a spoof as it was merely Marge and Homer doing the play.

Which is to say that the play itself isn't funny, is overly long, and weird. It's also nasty. The entire play involves a dysfunctional couple who invite another couple to their house and for the entire evening (actually really early morning), play cruel, emotional mind games with one another, dragging the newcomers into their twisted hobby.

Actually, now that I write it out, it actually seems interesting and like something I could get into. In actuality however, I found it suffocating and annoying. Perhaps it's meant to trigger in the audience the same sort of emotions felt by the unfortunate house guests? But it also felt artificial. None of the dialogue rang true at all. It was set in the early 60s so I get that there'd be some slang of the day that  I'd not be accustomed to, but none of these conversations felt believable. It's not so much the content either as I'm sure there are emotionally abusive couples out there. I also realize there are eccentric types out there. Even above and beyond that though it seemed artificial and I was never able to suspend my belief. I think I'd hate seeing this live.